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'Lungi da me pensier tiranno' cantata per alto e continuo, Roma 1709 (Concerto Italiano, R. Alessandrini, Sala Accademica del PIMS, Rome, Italy, 01/2004) 

94-O Donnerwort! O schrecklich Schreien! / Glaeubige Seele (sopran, contralto, bass) 

Messiah, HWV 56 (condensed version), Part II: The Passion (Orchestra and Chorus of the Händel Society, London, Walter Goehr, 1960) 

G.F. Händel - Giulio Cesare in Egitto, opera, HWV 17 - 'I pur così in un giorno... Piangeró la sorte mia' (Cleopatra)-1 

Rodelinda, Regina de' Longobardi (Dramma per musica) HWV 19, Act II (Brian Priestman, Baumgarten, Vienna, 1964) 

Susanna, HWV 66 (2) (Kölner Kammerchor, Collegium Cartusianum, Peter Neumann, Stadthalle, Wuppertal, Germany, 02/09/1999) 

Two movements from As pants the Hart, HWV 251a - 'Tears are my daily food' & 'Why so full of grief, O my soul' (James Bowman - alto, Jacob Ferguson-Lobo - treble, St. James's Palace Chapel Royal Musicians, Andrew Gant, 2005) 

G.F. Händel - Ouverture in D major, HWV 337 

Let thy hand be strengthened (Psalm 89), in G major, HWV 259 (1727) (King's College Choir, English Chamber Orchestra, Phillip Ledger, 07/1982) 

27 G.F. Händel. Samson. 89 Chorus of Israelites: Let their celestial concerts all unite… 

Messiah 'How beautiful are the feet' (Russell Oberlin - alto, Albert Fuller - harpsichord, Baroque Chamber Orchestra, Thomas Dunn, 1959) 

La Resurrezione, HWV 47 - Part 2, Scene 4: Aria (Angelo) 'Se per colpa di donna infelice' (Barbara Schlick - soprano, Amsterdam Baroque Orchestra, Ton Koopman, Oud Katholieke Kerk Maria Minor, Utrecht, 09/1990) 

G.F. Händel. 'Son nata/nato a lagrimar' (Cornelia, Sesto) "Giulio Cesare," HWV 17, Acto 1 

Utrecht Te Deum in D major, HWV 278 (Choir of Christ Church Cathedral, Oxford, The Academy of Ancient Music, Simon Preston, St.Jude's-on-the-Hill, Hampstead, London, 07/1979) 

My heart is inditing (Psalm 45), in D major, HWV 261 (1727) (King's College Choir, English Chamber Orchestra, Phillip Ledger, 07/1982) 

Messiah, HWV 56 (condensed version), Part III: The Aftermath (Orchestra and Chorus of the Händel Society, London, Walter Goehr, 1960) 

G.F. Händel - 'Urne voi' (Il Trionfo del Tempo e del Disinganno) 

Chandos Anthem No.10 'The Lord is my light', HWV 255 (April Cantelo - soprano, Ian Partridge - tenor, King's College Choir, Academy of St.Martin-in-the-Fields, David Willcocks, Cambridge, 1967) 

G.F. Händel - Alcina, opera, HWV 34 - 'Tornami a vagheggiar' (Morgana) 

24 G.F. Händel. Samson. 60 Chorus of Israelites and virgins; Dalila, Samson, Harapha, Manoa: Fix'd in his everlasting seat... 

G.F. Händel - Rodelinda, HWV 19, 'Io t`abbraccio' (Rodelinda, Bertarido) 

Concerto for Harp and Orchestra Op. 4, No.6 in B Flat, 1st Movement (after G.F. Händel) 

Concerto For Horns Solo - Air II For 4 Horns ( Deutsche Naturhorn Solisten, Franz Raml. Concerti A Due Cori ) 

Laudate pueri Dominum HWV 237 - 3. A solis ortu (Emma Kirkby - soprano, London Baroque, Steven Devine - organ) 

Anthem for the Foundling Hospital, HWV 268 (Emma Kirkby, Judith Nelson, Shirley Minty, James Bowman, Martyn Hill, David Thomas, Christ Church Cathedral Choir, Academy of Ancient Music, Simon Preston, All Saints' Church, Tooting, London 12/1977) 

Cantata "Venus and Adonis" (for soprano, oboe & b.c.) HWV 85 (c.1711) - II: Aria 'Dear Adonis, Beauty's treasure' (Gemma Bertagnolli - soprano, Ensemble Zefiro, Catholic Church Brunnenthal, Austria, 05/2008)  

Susanna, HWV 66 (3) (Kölner Kammerchor, Collegium Cartusianum, Peter Neumann, Stadthalle, Wuppertal, Germany, 02/09/1999) 

"Utrecht" Te Deum, HWV 278 (Arnold Schoenberg Chor, Concentus musicus Wien, Nikolaus Harnoncourt, 1984) 

Susanna, HWV 66 (1) (Kölner Kammerchor, Collegium Cartusianum, Peter Neumann, Stadthalle, Wuppertal, Germany, 02/09/1999) 

26 G.F. Händel. Samson. 66 Air (Samson): Thus when the sun… 

Deborah, HWV 51 (1733), Act II (New College Choir, Oxford, Choristers of Salisbury Cathedral, The King Consort, Robert King, 1993) 

G.F. Händel - Tolomeo, HWV 25, 'Se il cor ti perde' (Seleuce, Tolomeo) 

Lascia Ch'io Pianga (G.F. Händel, "Rinaldo", Amirena) 

Jephtha, HWV 70, Act 2 (Mozart-Sängenknaben, Concentus musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt, Casino Zögernitz, Vienna, 1979) 

Langue, geme, e sospira, HWV 188 (1722) (Gillian Fisher - soprano, James Bowman - alto, The King's Consort, 04/1990) 

Deborah, HWV 51 (1733), Act I (New College Choir, Oxford, Choristers of Salisbury Cathedral, The King Consort, Robert King, 1993) 

The ways of Zion do mourn (Funeral Anthem for Queen Caroline), HWV 264, (1737) (Monteverdi Choir & Orchestra, John Eliot Gardiner, Henry Wood Hall, London, 01/1978) 

Lascia Ch'io Pianga - Rinaldo ( OST "Фаринелли - кастрат / Farinelli il Castrato)" 

Jephtha, HWV 70, Act 3 (Mozart-Sängenknaben, Concentus musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt, Casino Zögernitz, Vienna, 1979) 

My song shall be alway (Psalm 89), HWV 252 - VII: Aria (soprano) 'Blessed is the people' (Patrizia Kwella - soprano, The Sixteen Orchestra, Harry Christophers, St Jude's Church, London, 1989) 

Messiah, HWV 56 (condensed version), Part I: The Annunciation (Orchestra and Chorus of the Händel Society, London, Walter Goehr, 1960) 

Jephtha, HWV 70, Act 1 (Mozart-Sängenknaben, Concentus musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt, Casino Zögernitz, Vienna, 1979) 

An Occasional Oratorio, HWV 62 - Act 2, Aria 'How great and many perils do enfold' (Lisa Milne - soprano, The King's Consort, Robert King, St.Jude-on-the-Hill, Hampstead Garden Suburb, London, 08/1994) 

Saul, HWV 53, Act 1 (King's College Choir, English Chamber Orchestra, Philip Ledger, King's College Chapel, Cambridge 07/1979-01/1980) 

25 G.F. Händel. Samson. 64 Chorus of Israelites: With thunder arm’d great God, arise! 

Dixit Dóminus, HWV 232 (Choir of King's College, English Chamber Orchestra, Stephen Cleobury, King's College, Cambridge, 12/1986) 

Largo (G F Händel) 

Dettingen Te Deum in D major, HWV 283 

Dixit Dóminus, HWV 232 (Choir of King's College, English Chamber Orchestra, David Willcocks, Chapel, King's College, Cambridge, 08/1965) 

Arianna in Creta, HWV 32, Act 2 (Academy of Ancient Music, Christopher Hogwood, Barbican Centre, London, 17 May 2009)