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G.F. Händel - Tolomeo, HWV 25, 'Se il cor ti perde' (Seleuce, Tolomeo) 

Susanna, HWV 66 (1) (Kölner Kammerchor, Collegium Cartusianum, Peter Neumann, Stadthalle, Wuppertal, Germany, 02/09/1999) 

G.F. Händel. 'Son nata/nato a lagrimar' (Cornelia, Sesto) "Giulio Cesare," HWV 17, Acto 1 

G.F. Händel - Rodelinda, HWV 19, 'Io t`abbraccio' (Rodelinda, Bertarido) 

Jephtha, HWV 70, Act 3 (Mozart-Sängenknaben, Concentus musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt, Casino Zögernitz, Vienna, 1979) 

G.F. Händel - 'Urne voi' (Il Trionfo del Tempo e del Disinganno) 

Jephtha, HWV 70, Act 2 (Mozart-Sängenknaben, Concentus musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt, Casino Zögernitz, Vienna, 1979) 

G.F. Händel - Alcina, opera, HWV 34 - 'Tornami a vagheggiar' (Morgana) 

Susanna, HWV 66 (3) (Kölner Kammerchor, Collegium Cartusianum, Peter Neumann, Stadthalle, Wuppertal, Germany, 02/09/1999) 

27 G.F. Händel. Samson. 89 Chorus of Israelites: Let their celestial concerts all unite… 

Cantata "Venus and Adonis" (for soprano, oboe & b.c.) HWV 85 (c.1711) - II: Aria 'Dear Adonis, Beauty's treasure' (Gemma Bertagnolli - soprano, Ensemble Zefiro, Catholic Church Brunnenthal, Austria, 05/2008)  

Two movements from As pants the Hart, HWV 251a - 'Tears are my daily food' & 'Why so full of grief, O my soul' (James Bowman - alto, Jacob Ferguson-Lobo - treble, St. James's Palace Chapel Royal Musicians, Andrew Gant, 2005) 

Lascia Ch'io Pianga (G.F. Händel, "Rinaldo", Amirena) 

25 G.F. Händel. Samson. 64 Chorus of Israelites: With thunder arm’d great God, arise! 

Let thy hand be strengthened (Psalm 89), in G major, HWV 259 (1727) (King's College Choir, English Chamber Orchestra, Phillip Ledger, 07/1982) 

Jephtha, HWV 70, Act 1 (Mozart-Sängenknaben, Concentus musicus Wien, Arnold Schoenberg Chor, Nikolaus Harnoncourt, Casino Zögernitz, Vienna, 1979) 

26 G.F. Händel. Samson. 66 Air (Samson): Thus when the sun… 

Dixit Dóminus, HWV 232 (Choir of King's College, English Chamber Orchestra, Stephen Cleobury, King's College, Cambridge, 12/1986) 

Dixit Dóminus, HWV 232 (Choir of King's College, English Chamber Orchestra, David Willcocks, Chapel, King's College, Cambridge, 08/1965) 

My song shall be alway (Psalm 89), HWV 252 - VII: Aria (soprano) 'Blessed is the people' (Patrizia Kwella - soprano, The Sixteen Orchestra, Harry Christophers, St Jude's Church, London, 1989) 

Arianna in Creta, HWV 32, Act 2 (Academy of Ancient Music, Christopher Hogwood, Barbican Centre, London, 17 May 2009) 

G.F. Händel - Ouverture in D major, HWV 337 

Rodelinda, Regina de' Longobardi (Dramma per musica) HWV 19, Act II (Brian Priestman, Baumgarten, Vienna, 1964) 

G.F. Händel - Giulio Cesare in Egitto, opera, HWV 17 - 'I pur così in un giorno... Piangeró la sorte mia' (Cleopatra)-1 

Concerto For Horns Solo - Air II For 4 Horns ( Deutsche Naturhorn Solisten, Franz Raml. Concerti A Due Cori ) 

Chandos Anthem No.10 'The Lord is my light', HWV 255 (April Cantelo - soprano, Ian Partridge - tenor, King's College Choir, Academy of St.Martin-in-the-Fields, David Willcocks, Cambridge, 1967) 

Deborah, HWV 51 (1733), Act I (New College Choir, Oxford, Choristers of Salisbury Cathedral, The King Consort, Robert King, 1993) 

94-O Donnerwort! O schrecklich Schreien! / Glaeubige Seele (sopran, contralto, bass) 

Langue, geme, e sospira, HWV 188 (1722) (Gillian Fisher - soprano, James Bowman - alto, The King's Consort, 04/1990) 

Messiah, HWV 56 (condensed version), Part III: The Aftermath (Orchestra and Chorus of the Händel Society, London, Walter Goehr, 1960) 

Saul, HWV 53, Act 1 (King's College Choir, English Chamber Orchestra, Philip Ledger, King's College Chapel, Cambridge 07/1979-01/1980) 

24 G.F. Händel. Samson. 60 Chorus of Israelites and virgins; Dalila, Samson, Harapha, Manoa: Fix'd in his everlasting seat... 

My heart is inditing (Psalm 45), in D major, HWV 261 (1727) (King's College Choir, English Chamber Orchestra, Phillip Ledger, 07/1982) 

Deborah, HWV 51 (1733), Act II (New College Choir, Oxford, Choristers of Salisbury Cathedral, The King Consort, Robert King, 1993) 

Susanna, HWV 66 (2) (Kölner Kammerchor, Collegium Cartusianum, Peter Neumann, Stadthalle, Wuppertal, Germany, 02/09/1999) 

Messiah 'How beautiful are the feet' (Russell Oberlin - alto, Albert Fuller - harpsichord, Baroque Chamber Orchestra, Thomas Dunn, 1959) 

Largo (G F Händel) 

Messiah, HWV 56 (condensed version), Part II: The Passion (Orchestra and Chorus of the Händel Society, London, Walter Goehr, 1960) 

Lascia Ch'io Pianga - Rinaldo ( OST "Фаринелли - кастрат / Farinelli il Castrato)" 

An Occasional Oratorio, HWV 62 - Act 2, Aria 'How great and many perils do enfold' (Lisa Milne - soprano, The King's Consort, Robert King, St.Jude-on-the-Hill, Hampstead Garden Suburb, London, 08/1994) 

La Resurrezione, HWV 47 - Part 2, Scene 4: Aria (Angelo) 'Se per colpa di donna infelice' (Barbara Schlick - soprano, Amsterdam Baroque Orchestra, Ton Koopman, Oud Katholieke Kerk Maria Minor, Utrecht, 09/1990) 

Utrecht Te Deum in D major, HWV 278 (Choir of Christ Church Cathedral, Oxford, The Academy of Ancient Music, Simon Preston, St.Jude's-on-the-Hill, Hampstead, London, 07/1979) 

'Lungi da me pensier tiranno' cantata per alto e continuo, Roma 1709 (Concerto Italiano, R. Alessandrini, Sala Accademica del PIMS, Rome, Italy, 01/2004) 

Laudate pueri Dominum HWV 237 - 3. A solis ortu (Emma Kirkby - soprano, London Baroque, Steven Devine - organ) 

"Utrecht" Te Deum, HWV 278 (Arnold Schoenberg Chor, Concentus musicus Wien, Nikolaus Harnoncourt, 1984) 

The ways of Zion do mourn (Funeral Anthem for Queen Caroline), HWV 264, (1737) (Monteverdi Choir & Orchestra, John Eliot Gardiner, Henry Wood Hall, London, 01/1978) 

Dettingen Te Deum in D major, HWV 283 

Anthem for the Foundling Hospital, HWV 268 (Emma Kirkby, Judith Nelson, Shirley Minty, James Bowman, Martyn Hill, David Thomas, Christ Church Cathedral Choir, Academy of Ancient Music, Simon Preston, All Saints' Church, Tooting, London 12/1977) 

Messiah, HWV 56 (condensed version), Part I: The Annunciation (Orchestra and Chorus of the Händel Society, London, Walter Goehr, 1960) 

Concerto for Harp and Orchestra Op. 4, No.6 in B Flat, 1st Movement (after G.F. Händel)