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Requiem c-Moll MH 155 - III. Offertorium: Domine Jesu Christe (Robert King & King's Consort) 

Judas Maccabaeus, oratorio, HWV 63 - Air (Priest): “Father of heav’n! From thy eternal throne” (Act III, No. 1) 

Domine ad adiuvandum, RV593 -3. Sicut erat in principio 

Missa a 4 da Сapella (1650) - VI. Agnus Dei (The King's Consort, Robert King) 

Kuhnau: Ihr Himmel Jubilirt Von Oben - Gieb, Jesu, Dass Dein Wille 

Solomon, oratorio, HWV 67 - Air (Solomon): “What though I trace each herb and flow’r” (Act I, Scene 1) 

Mottetto ''Filiae maestae Jerusalem'', RV 638 (James Bowman - countertenor, King's Consort, Robert King) 

Milne Bowman Mark Ainsley George - Aria - His sceptre is the rod of righteousness (B) 

Requiem c-Moll MH 155 - IX. Requiem aeternam - Cum sanctis tuis (Robert King & King's Consort) 

Te Deum & Jubilate in B flat, Z 230 

Requiem c-Moll MH 155 - VI. Benedictus (Robert King & King's Consort) 

Requiem c-Moll MH 155 - VIII. Communio: Cum sanctis tuis (Robert King & King's Consort) 

Missa a 4 da Сapella (1650) - II. Gloria (The King's Consort, Robert King) 

Esther, oratorio, HWV 50a - Air (Assuerus): “How can I stay, when love invites? (Act II, Scene 2, No. 5) 

Requiem c-Moll MH 155 - VII. Agnus Dei - Communio: Lux aeterna (Robert King & King's Consort) 

Belshazzar, oratorio, HWV 61 - Martial Symphony ; Air (Cyrus): “Destructive War, thy limits know” (Act III, Scene 3) 

Missa a 4 da Сapella (1650) - IV. Sanctus (The King's Consort, Robert King) 

Herr, lehre uns bedenken (King's Consort, Robert King, St.Jude on the Hill, Hampstead, England, 11/2000) 

Solomon, oratorio, HWV 67 - Duet (Solomon/Solomon's wife): “Welcome as the dawn of day” [with Susan Gritton, soprano] (Act I, Scene 2) 

Antonio Vivaldi Симфония RV116 Allegro 1 часть 

Esther, oratorio, HWV 50a - Recitative & Air (1st Israelite): “Now persecution shall lay by her iron rod” … “Tune your harps to cheerful strains” (Act I, Scene 2, Nos. 1-2) 

Missa a 4 da Сapella (1650) - V. Benedictus (The King's Consort, Robert King) 

Saul, oratorio, HWV 53 - Air (Michal/David): “O fairest of ten thousand fair” [with Susan Gritton, soprano] (Act II, Scene 5) 

Requiem c-Moll MH 155 - II. Sequentia: Dies irae (Robert King & King's Consort) 

Kuhnau: Ihr Himmel Jubilirt Von Oben - Jesu, Wenn Ich Dich Nur Habe 

Domine ad adiuvandum, RV593 -1. Domine ad adiuvandum 

Solomon, oratorio, HWV 67 - Accompagnato (Solomon): “Almighty pow’r! who rul’st the earth and skies” (Act I, Scene 1, No. 5) 

Handel: Ode For The Birthday Of Queen Anne, HWV 74 - Eternal Source Of Light Divine 

Requiem C-Moll (Robert King & King's Consort) 

The Choice of Hercules, oratorio, HWV 69 - Air (Hercules): “Yet, can I hear that dulcet lay” (No. 15) 

Handel: Amadigi Di Gaula, HWV 11 - Pena Tiranna 

Esther, oratorio, HWV 50a - Overture (Andante - Larghetto - Allegro) 

Dixit Dominus, RV 595, Tecum principium (The King's Consort, conductor - Robert King) 

Belshazzar, oratorio, HWV 61 - Air (Cyrus): “Great God! who, yet but darkly known” (Act I, Scene 2) 

Sequenz, Dies irae 

Antonio Vivaldi Симфония RV116 Andante 2 частьe 

Requiem c-Moll MH 155 - V. Sanctus (Robert King & King's Consort) 

Purcell: Come Ye Sons Of Art, Away, Z 323 - Sound The Trumpet, 'Til Around 

Handel - Verdi Prati (Alcina) 

An Occasional Oratorio, HWV 62 - Act 2, Aria 'How great and many perils do enfold' (Lisa Milne - soprano, The King's Consort, Robert King, St.Jude-on-the-Hill, Hampstead Garden Suburb, London, 08/1994) 

Theodora, oratorio, HWV 68 - Air (Didymus): “Kind Heaven, if virtue be thy care” (Act I, Scene 6) 

XI. Quando corpus morietur 

Purcell: O Solitude, My Sweetest Choice!, Z 406 

Luigi Boccherini_ I. Stabat Mater dolorosa 

Requiem c-Moll MH 155 - I. Introitus: Requiem aeternam - Kyrie elesion (Robert King & King's Consort) 

Antonio Vivaldi Симфония RV116 Allegro 3 часть 

Requiem c-Moll MH 155 - IV. Versus: Hostia et preces tibi (Robert King & King's Consort) 

Jubilate, o amoeni chori RV639 and Gloria in excelsis Deo RV588 - Sonoro modulamine: Gloria in excelsis Deo 

Theodora, oratorio, HWV 68 - Air (Didymus): “The raptur’d soul defies the sword” (Act I, Scene 2) 

Saul, oratorio, HWV 53 - Air (David): “O Lord, whose mercies numberless” (Act I, Scene 5)